Or so says Richard Z. Kruspe, known to most music followers as the lead guitarist of the German heavy metal band Rammstein. Some time in 2001, right around the time that his day job band released their third studio album, Kruspe emigrated to New York; years later or, to be more specific, last summer, he released a solo album entitled
Emigrate, the same name as
his solo project. It only came out in North America a few months ago, so the world can only now fully appreciate this intriguing and delightful debut.
Most of the eleven (or, if you are lucky enough, like myself, to own the limited edition, thirteen) tracks relate, in some way or another, to self-discovery, the theme of emigrating, and personal experience. It is a largely upbeat and positive album, grounded in the realities of failure sometimes being paired with success, but hardly a return to the dark, eerie and in-your-face themes that Rammstein has churned out since 1994.
The aforementioned lyric to the song "New York City" continues, permeating not only the song, but the whole album: "I'm lost in a world of lights / mesmerize my nights / the sky scrapes on building sites / I'm feeling so alive." Or, slightly later, "I'm gonna win / I'm gonna lose / I'm gonna chase it till the end / and if you're walking in my shoes / you're gonna make it or pretend."
The music is a mix: some songs are hard-rock, harking back to Kruspe's Rammstein roots, but others are more melodic, slightly slower and quite catchy. Lyrically, Kruspe's words are simple, but the simplicity of his messages have the effect of striking just where and when they are most potent. This is the type of album one could listen en route to travelling in a foreign land, and then replaying it once there, on a moonlight night amid surf-breaking waters, mountains and the chatter of friends and company.
It is an album that epitomizes independence, breaking roots while simultaneously establishing new ones. Unlike Rammstein, Emigrate is also of a different language, for the lyrics are entirely performed in English, where Kruspe (sometimes not so successfully, one can amusingly notice) tries to use an American accent, but his German background betrays him! This is an exceptional album, well worth the length that it took to be recorded and released. One can only hope that Kruspe, while not ignoring his commitments to Rammstein, will churn out more such albums in the future.